Exactly two years ago this week, I had an opportunity to meet Broadway writer and director Stephen Schwartz--and four of his words have stuck with me ever since.
All his words were memorable, of course, but I'm going to focus on just four of them here because they've been so valuable as I've worked on my first book for the "Not For Sale" project to help stop child trafficking.
Schwartz has written music and/or lyrics for many Broadway shows including Godspell, Pippin, and the current Broadway hit, Wicked. He collaborated with Leonard Bernstein on Mass, and with Alan Menken on the scores for the Disney animated features Pocahontas and The Hunchback of Notre Dame. He also wrote the songs for the DreamWorks animated film The Prince of Egypt.
Can you see why when Stephen Schwartz spoke, I was taking notes?
So what are the four golden words he shared that I've remembered to this day? They are:
The "I want" song
The hero of any musical or novel or film wants something--and what he or she wants is what the plot is all about.
Since Schwartz deals with music, he calls it the "I want song." As he spoke, he showed us how his musicals open with the hero singing his or her "I want" song.
Pippin, for example, features the beautiful song "Corner of the Sky" a few minutes into the plot. (Check out William Katt singing it on Broadway, with a little of Ben Vereen thrown in for fun.)

You can't get more "I want" than those lyrics: "I've got to be where my spirit can run free, got to find my corner of the sky." The rest of the musical is about Pippin's quest to run free and find his corner of the sky--with all the ups and downs and near-death experiences that his quest entails.
As you write your novel (or screenplay or musical), think about the "I want" song for your main character. What does she want so badly that she's willing to go through an entire book to find it? What propels him, keeps him up at night, motivates him and practically drives him crazy in his quest to reach it?
Find it, and you'll find a valuable tool to help develop your plot.
In an upcoming post, I'll talk about another powerful plot element and what happens when it collides with the "I want" song -- which is exactly what your story needs to keep readers on the edge of their seats (or paying $150 for a ticket to see it on Broadway).
To read more of what I learned about writing from Stephen Schwartz, check out Issue #10 of my e-letter, The Writer's Workshop. (I'm no longer publishing The Writer's Workshop and have instead incorporated it into this blog, but you can find all the back issues here including the first seven, which are part of my e-book, How to Write a Book.)
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